{"id":7730,"date":"2026-02-11T16:34:48","date_gmt":"2026-02-11T15:34:48","guid":{"rendered":"https:\/\/trikocirkusteatar.com\/predstava\/forget-about-dulcinea\/"},"modified":"2026-02-11T17:03:22","modified_gmt":"2026-02-11T16:03:22","slug":"forget-about-dulcinea","status":"publish","type":"predstava","link":"https:\/\/trikocirkusteatar.com\/en\/predstava\/forget-about-dulcinea\/","title":{"rendered":"Forget About Dulcinea"},"content":{"rendered":"

PRODUCTION: TRIKO \/ CIRK POZOR \/ CANTA<\/p>\n

In Forget About Dulcinea (Zaboravi na Dulcineu), we allow the fluid figure of the theatrical clown to step into the hardbound editions of canonical literature. Brought into this relationship, both the clown and the classic recognize what binds them: immortality as a mode of existence (for it is well known \u2014 neither the clown nor the classic is ever truly reached by the finality of death) and a shared subject of interest: that which is essentially human. The deconstruction of classic texts \u2014 from Shakespeare to \u0160enoa \u2014 is primarily inspired by ludus (play); the clown plays with the text like building blocks, taking them apart and reassembling them just as a child does: innocently and with no thought other than the pure joy of the game.<\/p>\n

Genre-wise, Forget Dulcinea remains unclassified \u2014 it chooses to be physical theatre, a musical, spoken drama, clown cabaret… and a little bit more, all at once.<\/p>\n

One eccentric Maestra. One seminal work that will change the world. But two Juliets and zero Romeos. A small theater, an even smaller town. A delivery man appears at the door, With a pizza in his hands and amnesia in his eyes, And the artists are struck by an idea of how to make him the missing link: The longed-for Romeo.<\/p>\n

A fierce battle of identities begins, Seasoned with song, dance, and quotes from the classics, In which it becomes difficult to distinguish: Who is Romeo, and who is Don Quixote? Who is Juliet, and who is Dulcinea? And so on, ever closer…<\/p>\n

CREDITS<\/p>\n

Direction and Concept: Lee Delong
\nDramaturgy: Marija Anti\u0107
\nMusic: Davorka Horvat
\nPerformers: Iva Peter Dragan, Nikolina Majdak, Davorka Horvat, and Rok Jur\u010di\u0107
\nCostumes: Hana Letica
\nSet Construction: Neboj\u0161a Jela\u010di\u0107
\nLighting Design: Milan Kova\u010devi\u0107
\nPoster Design: Marko Dje\u0161ka<\/p>\n

The production is co-financed by the Ministry of Culture and Media of the Republic of Croatia, the City of Zagreb, and the Kultura Nova Foundation.<\/p>\n

Photography: Jasenko Rasol<\/p>\n

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